Many things make a noise when you hit them, but not many are commonly used to play music — why is that? Jim Woodhouse looks at harmonic and not so harmonic frequencies and at how percussion instruments are tuned.
Fractals are a treat for your eyes, but what about your ears? Dmitry Kormann, a composer/keyboardist from São Paulo, Brazil, explains how he integrates fractal-like patterns in the very structure of his music, to obtain beautiful results.
As anyone starting out knows, the violin is a difficult instrument. It takes time before the novice player can expect to produce a musical note at the desired pitch, instead of a whistle, screech or graunch. Jim Woodhouse and Paul Galluzzo explain why.
Kevin Jones investigates the links between music and mathematics, throwing in limericks, Fibonacci and Scott Joplin along the way. Plus is proud to present an extended version of his winning entry for the THES/OUP 1999 Science Writing Prize.
In his second article, David Henwood explains the role of mathematics in the design of Hi-Fi loudspeakers.
